Four Characters Who Should Die in the Emmerdale and Coronation Street Crossover — Here’s Who and Why
A Historic Soap Crossover That Will Change Everything
For the first time in soap history, Coronation Street and Emmerdale are joining forces for a spectacular one-hour special titled Corriedale, airing this January. ITV promises the landmark episode will “change the course of both shows forever,” with multiple deaths confirmed and filming already underway on secretive overnight shoots.
But who should go? With both soaps facing dwindling ratings, cast shake-ups, and fan fatigue, this crossover needs real impact — not another minor exit. To make television history, here are the four characters whose deaths could truly reshape both villages.
EMMERDALE: Who Needs to Go?
1. Eric Pollard — The End of an Era
Chris Chittell’s Eric Pollard has been part of Emmerdale since 1986 — but after nearly four decades in the Dales, it might finally be time to say goodbye.
While his legacy is undeniable, Eric’s storylines have become predictable: a brief crisis, a few sharp words at the Woolpack, a reconciliation, then vanishing for weeks. Killing off Eric would deliver the shock value ITV needs and provide the village with a heartfelt, multi-character mourning arc that honours his place in Emmerdale history.
It’s brutal, yes — but unforgettable. A dignified exit for one of soap’s most enduring legends.
“If Emmerdale wants to shake things up, it has to be brave. Letting go of its longest-serving character would send shockwaves through the Dales.”
2. April Windsor — A Teen Tragedy That Hits Home
At the opposite end of the age scale, Emmerdale could opt for a more devastating twist by killing off April Windsor.
Played by Amelia Flanagan, April has transformed from the village’s golden child into one of soap’s most troubled teens — battling homelessness, teen pregnancy, and now being trapped in Ray Walters’ drug ring. Her current county lines storyline has already pushed boundaries, but a tragic ending could deliver a hard-hitting message about exploitation and youth vulnerability.
Her death would devastate the community and spark powerful storylines for Marlon, Rhona, and the wider village.
“If Eric represents the end of an era, April’s death would represent the end of innocence.”
Verdict for Emmerdale:
The Dales must go bold — either close the book on its longest-serving legend or deliver a gut-wrenching loss that shapes its future.
CORONATION STREET: Who Should Face the Axe?
3. Sean Tully — Time to Say Goodbye
After 22 years on Coronation Street, Sean Tully (Antony Cotton) has become a divisive figure among fans. Once the life of the Rovers, Sean’s character has been adrift for nearly a decade, with few meaningful stories beyond comic relief.
His departure — especially through a dramatic, crossover-style disaster — could give long-time viewers a sense of closure while freeing space for new voices on the Street.
It may not be the most emotional farewell, but it would undoubtedly get fans talking.
“Sean’s exit wouldn’t just go unnoticed — it might even be celebrated. Sometimes, a show has to trim the excess to thrive.”
4. Dee-Dee Bailey — Gone Too Soon, But Never Forgotten
Here’s where things get difficult. Actress Channique Sterling-Brown has already confirmed her exit as Dee-Dee Bailey, one of Corrie’s brightest stars. Instead of letting her fade away, the crossover could immortalise her.
Dee-Dee’s intelligence, compassion, and fiery resilience have made her a fan favourite in just three years. A heroic death — perhaps saving others during the crossover’s central disaster — would secure her legacy as a Coronation Street icon, much like the unforgettable Molly Dobbs after 2010’s tram crash.
It would be tragic, yes, but powerful.
“If Dee-Dee must go, let her go as a hero — not a footnote.”
The Final Verdict
With both soaps facing a creative crossroads, Corriedale has the potential to reignite the passion fans once felt for ITV’s flagship dramas.
Emmerdale should choose between emotional devastation (April) or iconic farewell (Eric).
Coronation Street should cut the deadwood (Sean) and crown a legend (Dee-Dee).
Four deaths. Two soaps. One unmissable hour of television.
If done right, this crossover could define a generation of British soap storytelling — and remind everyone why these shows still matter.